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Phil Hey (born May 21, 1953) is an American jazz drummer born in New York, NY. He has worked with several leading jazz musicians including Dewey Redman, Jay McShann, Mose Allison, Benny Carter, Charlie Rouse, Harold Land, Charlie Byrd, David "Fathead" Newman, Geoff Keezer, Mark Murphy, Benny Golson, Stacey Kent, and Kenny Barron.〔(【引用サイトリンク】title=Jazz Police Biography of the Phil Hey Quartet )〕 == Biography == Born in New York City, he grew up in Philadelphia and the St. Paul suburb of Roseville, Minnesota.〔 The Twin Cities-region continues to be his base, although he regularly performs throughout North America as a sideman.〔(【引用サイトリンク】title=Performing with Stacey Kent at Birdland in New York, NY )〕 He started his music study with mentor and legendary jazz drummer Ed Blackwell at the Creative Music Studio in New York in 1975. His relationship with Blackwell continued until Blackwell's death in 1992.〔(【引用サイトリンク】title=University of Minnesota Faculty Biography/Profile )〕 He has also studied with Floyd Thompson〔(【引用サイトリンク】title=FloydThompson Drum Studio with List of Former Students )〕 and Marv Dahlgren, the former principle percussionist of the Minnesota Orchestra.〔〔("Marv Dahlgren McNally Smith Faculty Biography/Profile" )〕 In addition to several jazz musicians he counts the Beatles and 1960s rock groups as early music influences. He also credits his parents and his childhood band instructor for their support and encouragement in pursuing a music career. He actively performs with several groups and leads his own quartet. The Phil Hey Quartet features Phil Hey on drums, Tom Lewis on bass, Dave Hagedorn on vibraphone, and Phil Aaron on piano. The group released ''Subduction: Live At The Artist's Quarter'' in 2005 which was subsequently named ''Best Jazz CD of the Year'' by the Twin Cities alternative weekly newspaper ''City Pages''.〔("St. Olaf Jazz Workshop Biography/Profile" )〕 ''City Pages'' also named him ''2006 Jazz Musician of the Year''.〔(【引用サイトリンク】title=City Pages Best Jazz Artist Minneapolis 2006 – Phil Hey )〕 His first album, ''Let Them All Come'' with Pat Moriarty, was released in 1977 on the small private label ''Min Records''. The cover art by Homer Lambrecht is featured in ''Freedom, Rhythm, and Sound'', a compilation of a unique jazz album artwork by Gilles Peterson and Stuart Baker (''Soul Jazz Records''). In total he has appeared on over 125 recordings and remains a first-call musician supporting regional recording artists as well as touring jazz artists. His jazz recordings include the critically acclaimed Von Freeman's ''Live At The Dakota'', Pete Whitman's X-Tet ''Where's When?'', Tom Hubbard's ''Tribute to Mingus'', and Ed Berger's ''I'm Glad There is You'' – all of which received 4 out of 5 star ratings by ''Down Beat'' magazine reviewers. In addition to his work as a jazz musician he has played regional performances with blues and rock acts, including Nick St. Nicholas, George "Mojo" Buford, and Mississippi Fred McDowell. He has appeared on the soundtrack of ''the 6th Day'' (2000) starring Arnold Schwarzenegger and several independent film soundtracks including ''Been Rich All My Life'' (2006). In addition, he has played many touring theater productions, including ''The D.B. Cooper Project'', ''Joseph and the Amazing Technicolor Dreamcoat'', and Irving Berlin's ''I Love a Piano'' and has performed with comics Bob Hope, Red Skelton, and Don Rickles. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Phil Hey」の詳細全文を読む スポンサード リンク
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